The morning after the super bowl more than half of Twin Oaks woke up without knowing who won the big game. You might correctly assume that since these people live in this egalitarian, rural, income sharing ecovillage commune they might not prioritize this national event. But this is not the whole story. Quite a number of these members who don’t know the result are actually very excited about the game and are looking forward to watching it. Let me explain further.
Twin Oaks has a long-standing “no live television” norm. There is no place in the community that you can just flick a switch and suddenly view broadcast television (or even live cable television). There is, however, a whole subculture of television and cable watching members, who draw from our huge archive instead of watching things live.
But sports are somehow different. People mostly want to watch sporting events as they are actually happening. I’ve never completely understood this. I will leave it to some sports enthusiast to enlighten me as to why this is important. And Oakers want to watch the Super Bowl; they want to watch it in their home, they want to watch it with a bunch of other Oakers. So to get all of these things a few years back we stumbled onto a solution. Watch the Super Bowl a day later.
This clever fix has its own problems and at the top of the list is that there are a couple of dozen Oakers who do not want to wait. They visit outside friends or nearby communes which don’t have such restrictive norms around the television. And basically, the whole rest of the community agrees that they have to keep the game a secret for one day and especially not say who wins.
Back in 2004, we were less into sports. I remember walking into the Morningstar kitchen and asking the dozen assembled people “If I were to say ‘Janet Jackson’s left breast‘ how many of you would know what I was talking about?” No one did. Perhaps I got lucky that morning, perhaps the commune has become more accepting of major sports events.
Architecture shapes culture, so a guiding principle of Cambia is, if we can make it beautiful, we do. Architecture is unique as an art form because it integrates function with form. This includes landscaping and outdoor play spaces.
Stepping stones are interesting because they have multiple functions; for example. they can protect clover, especially in the winter. The form also affects our local culture: when you walk on stepping stones, you are called to a child-like stance.
You can walk with your hands hanging down by your sides, and what tends to happen is that your arms raise up to maintain your balance. The stepping stones can draw you into being playful and childlike. As your hands go up, you are more likely to skip and as you start to skip, you are more likely to smile.
Cambia also boasts a trampoline. The trampoline draws kids from the surrounding communes. We recently replaced our broken one, in an assembly effort which was guided by a gaggle of giggly kids.
The German modern architect Mies van der Rohe is famous for two sayings, both of which are applicable. “Less is more” is the argument for minimalist architecture to achieve simplicity, using white elements, cold lighting, large space with minimum objects and furniture.
The second aphorism is “God is in the details“, expressing the idea that whatever one does should be done thoroughly because details are important.
Cambia is a handcrafted commune, in sharp contrast to the grandmother commune, Twin Oaks, just down the road. Twin Oaks is a large place which includes industrial spaces, warehouses, tofu production facilities, rope machines, gang drills, and sawmills. All the spaces are closer and on a more human scale at Cambia. Some of the art is tiny and temporary.
Handcrafted means focusing on details: doorknobs from twisted branches, floors of pebbles and clay, tiny signposts, salvaged redwood around the hot tub and hyacinth pool. It is these and dozens of other tiny aspects that makes this stepping stone commune so precious.
Other Blog Posts about Cambia: