Many years ago in the bright Nevada sun of Burning Man, I was talking with Rob Brezney, the author of Free Will Astrology. He made the case that part of what hampers efforts to build a more just and positive future is a lack of the right words. He complained that the English language was asymmetric in a fashion that favored negative terms: jealousy, paranoia, contagion, trauma. He helped popularize the term “pronoia” (paranoia’s opposite), the belief that the universe and the people around you are conspiring to do good things and/or make you happy.
Activists and organizers, politicians and propagandists will oft tell you that we are in the business of storytelling. These new words allow us to tell new, richer stories. You want to coin something that is simple and elegant, yet compelling and desirable. A word that once someone hears it, they will start to use it and think about how to bring it into the story of their lives. One of the long lever words we have been crafting is “quink”.
Quink is the opposite of trauma. It is an experience which lastingly transforms your life for the better. A quink is a spark, a moment that shifts your life path, or helps you move out of an unhealthy situation. A stroke of enlightenment, falling in love, finally kicking your addiction to a drug or a toxic relationship- these are all quinks. Quinks can be a coincidence like bumping into an old friend at the farmers market, going to a mind blowing festival, or reading just the right book at the right moment.
We thought we should design an event around sparking quinks. Thus, Quink Fair began with the question “What if we took the best aspects of our favorite festivals and fused them together in one event?” Quink Fair! is a celebration which invites change by exploring the participants’ desires and obstacles. Quink Fair! draws deeply from Burning Man, an interactive art event based around the principles of participation, and self-expression with no paid performers and no passive audience. From the Rainbow Gathering we draw decentralized organizing and generous sharing. From the intentional communities movement, we bring the importance of cooperation, sustainability, and consent. We also draw from the communities movement the idea that we are better off sharing our lives and our possessions than taking on this world alone.
Through a colorful and chaotic mix of exhibits, theme camps, music, guides, oracles, workshops, dance, and your own curiosity, we will seek experience and insights as a catalyst for personal growth and cultural change. And at the very least, it will help you find a good story. Join us at Quink Fair in Louisa, VA, July 12-15, 2019. This is a 4 day, 3 night camping event, food included. Tickets are $90 for adults, $45 for children 11 to 15, kids 10 and under free. See www.quink.org for more information and to purchase tickets.
Bring your spark.
This article originally appeared in July 2019 issue of Echo World Magazine.
The idea was compelling, study the really exciting festivals and celebrations, take the best pieces of these cultures and combine them into a beautiful Frankensteinian creation. The tricky part is establishing which are the finest parts and figuring out if (and how) they fit together.
Central rituals are a major difference between Burning Man and the Rainbow Gathering. At Rainbow thousands of participants hold hands in silence in a giant ring on the 4th of July. When the moment feels complete the children run into the center, break the trance, and thus commences wild dancing. At Burning Man there are two central rituals, the effigy burn and the temple burn, both of which revolve around fire but have very different flavors. The former is a pyrotechnic exhibition of tremendous scale, with fire dancers and a giant man which blazes for hours leading into a bacchanalian celebration of wild dancing in the desert.
Burning Man Fire Eaters
Photo Credit: rosehalady0 from Pixabay
The temple burn is a more somber and self reflective ritual which is powerful like a brilliant funeral can be. It is all about letting go of things, your sadness at a deceased friend or relative, your addiction to online games or a dysfunctional relationship, or realize it really is finally time to quit the job which is not working for you.
We decided to embrace the Burning Man central rituals. There were several reasons for this, the first is an effort to bring people who are familiar with or excited by Burning Man culture to the event. It feels like especially the temple burn is potentially quink inducing, and a bacchanalian celebration is practically guaranteed to be a good time. While the rainbow ritual is elegant, accessible and unifying, it did not feel powerful enough for us to embrace for Quink Fair. One of the key ideas of Quink Fair! Is to introduce creative people from mainstream cultures to the intentional communities (and especially income sharing) movement.
Free is nice, but quite limiting
Tickets are another important cultural aspect, and major cultural difference. Part of the brilliance of the regional and national Rainbow Gatherings is that they are free to attend and no one is “controlling” a gate that keeps some people out. Despite it’s inclusion principle, Burning Man is a privileged event. The low income tickets are $240 and literally thousands of people pay over $1,000 to be assured to get in. This is before you pay for a camp and gear, and transportation to this remote site- it’s quite normal to spend $1,000 or more on these expenses, especially if you’re traveling from far away. The advantage of the paid ticket model is organizers can pay for porta potties and event insurance and art grants, and what ever else is important.
Burning Man preaches “radical self-reliance” which means a number of things, but near the top of the list is “bring everything you will need” and packing for attending this harsh desert event is a complex and expensive affair. Rainbow Gather’s unofficial motto is “Welcome Home” and true to this tagline is the idea that when you go home you need to bring the fewest things of any journey, since your stuff or your support network is already there. From a festival organizers perspective, when you have well stocked and equipped participants you reduce costs and you share the provisioning burden for the event. But if you can welcome almost anyone, including people who have little gear or money, then you are a more diverse and inclusive crowd and you provide a more full service experience.
This is where the Fair part of the name comes from
The Quink Fair! “disorganizers” made the choice to have ticket prices, but make them fairly low ($90 for three days) and include work exchange options. And of course we hope we have the money we need for porta potties, insurance and art grants and more.
Photo Credit: Karolina Grabowska from Pixabay
Kitchens and food are another major cultural difference. At the Rainbow Gatherings perhaps 1/3 of the camps are free kitchens serving to anyone who comes to them. At Burning Man people are responsible for bringing their own food to this difficult environment and preparing it. There is some food being given away at BM (clever DC friends are doing a pizza delivery service this year), but it would be an odd diet and an organizing struggle to attend this event without food or a camp which provides it for you.
For Quink Fair we’ve gone with a hybrid model around food. Haven House theme camp (run by one of the disorganizers who threw a temper tantrum upon hearing food wouldn’t be provided) will provide 3 meals a day, plus drinks and snacks between meals. This is free and available to all who want or need food, or who just enjoy sharing meals with a group. But some (perhaps most) attendees will still bring some of their own food and/or cooking equipment, either for their own use or to share. It’s a combination of Burning Man’s freedom with Rainbow’s safety net, which we hope will bring the best of both systems;
And Rainbow was a huge influence. We want to make food accessible, we want to decentralize organizing as much as we can, we want anyone who really wants to attend to be able to come.
Image found at https://www.pinterest.com/pin/481181541408416340/
Rainbow, Burning Man and the Communities Conference (which we draw inspiration from) all have workshops offered by participants. The communities conference curates them by selecting headliners and scheduling open space separately. We did not want to go this way. There is a large collection of workshops, some given by event disorganizers, most by participants and there is no distinction between which are organized by who.
There is a lot of experience in the group of disorganizers who are trying to pull this event together, but we can’t be certain that we have made the right choices. We’ve likely made wrong choices but that’s part of the adventure of a new event. We have been talking a lot about our own quink experiences and how they can be replicated at this event. Almost everyone we talk with is enthusiastic about the idea.
Lots more information to be found at www.quink.org where you can also buy tickets. If you are excited or intrigues you, go to the facebook Quink Fair! 2019 event and click “interested” or “going” and we will send you more information. If you have questions, suggestions, or want to lend a hand, drop us a line at firstname.lastname@example.org.
Other blog posts about Quink Fair!
I was panicking. I was thinking i had again taken on something larger than i could pull off. I had believed optimistic promises of support and had over estimated my own capacity to plug volunteers into useful work.
I even considered canceling the Quink Fair! event because i could not see how it would come together. Then i realized there was another way. And if you will excuse the martial overtones. I decided it was time to call in the cavalry.
I’ve described Angie before as a plug and play organizer. Someone with the capacity to walk into almost any circumstance and make it be better. It is a rare mix of self confidence, common sense and the capacity to not get stuck in other peoples mistakes. Angie has these in spades.
She is also quite busy. She has been the driving force behind birthing the Karass Inn in Chester Vermont which was started by ex-communards. Which now in it’s third year is well established and profitable.
“Can we agree we need a website within 48 hours?” I thought we needed one last month. But by adding Angie to the mix, our additional capacity to do things spikes. What she is really saying is “if you can’t get your people to pull this together in 2 days, i will do it myself. ” And she can, she is not a pro at it, but fully capable. As she is fully capable for running registration, or coordinating workshops, or doing outreach or staying within budget, to getting more training. And most importantly, she can play an anarchist chief of staff. This is where you ask volunteers what they are excited about working on and when they think they will have measurable progress, she will nudge things along.
She is a perfect nag that does not need training. She knows how to ask people to show up, she knows how much and what types of pressure motivate people and knows how to stop short of pushing too hard. The website was up in 48 hours and more serious promotion for the event has already started.
She is also good at untangling organizational messes i get myself into around events. Sometimes you need the cavalry.
Maud and i were arguing. She wants a centralized kitchen cooking for this event. I was drawing from the Burning Man culture and wanted every camp and participant to be self reliant. This energetic and fiery organizer from Montreal is helping the international effort to build a relatively small celebration in central Virginia. Maud was upset with me because the kitchen in a festival is something deeply important to her; it sets the mood on the type of sharing that is going to occur; and I hadn’t manage to find a time to talk with her about it.
The event is called Quink Fair!
The formulating idea is that we know a lot about festivals, and if we try to take the best parts of several of them, we might be onto something. Which of course invites all manner of comparisons between these quite different events.
Maud hails from Velo Quebec, the giant Quebecois bicycle tour company, where one of her jobs was to scout ahead and prepare these tiny towns for a temporary invasion of as many as 2000 cyclists. Housing, sanitation, food, medical and more all need to be on hand for these exhausted cyclists who will have even longer days.
For Quink Fair! the centralized kitchen versus everyone cooks for themselves question is ultimately a cultural one. When we are comparing Burning Man with the Rainbow Gathering, we see that food is a central and slightly exclusive part of a burner’s experience. Rainbow has a rule that every campfire is a public fire and for many of the camps, the principal activity is cooking for people who will not be paying for this service.
Maud is challenging that we want to be more like Rainbow than Burning Man. Part of the issue is about money. While Burning Man has a decommodification ethic, the treacherous nature of the venue requires serious preparation. The culture demands preparation, which makes the event expensive (Rainbow is free) and pushes participants to expensive and exclusionary meal plans. And Maud is a realist. Sophia House has a high functioning institutional kitchen, and groups of volunteers can sharing the cooking, with donated food, insuring that everyone gets fed. This will reduce the time spent cooking by most of the participants and camps, giving them more time to have a positively tranformational experience.
Which is what a quink actually is.
Turns out Maud is right. Rainbow’s hippie roots of sharing and dynamic group cooperation are more in line with the world we are trying to create than Burning Man’s radical self reliance. And clearly i should call her more.
Craft Weaves Together a Community Story
Through the haze of old safety goggles I struggle to read the fractions of an inch I was told to measure. When I look up to ask for the length again my voice is droned out by the grind of iron against steel, groaning like tectonic plates being forced against each other. I pull out my earphones to try and hear the number my friend is saying, but as soon as my ear is exposed the scream of dull blades splintering wood makes my ears ring like funeral bells for the death of hearable tone. We are here to build a natural home, a safe place for the community to gather and celebrate, but our means of getting there is through the dehumanizing technology of industrialization. Does community begin when the project is done? Are the projects ever done?
Construction has become a means to an end. There are customers who design compositions of geometric shapes on two dimension screens, and builders who are tasked to turn these teeny tiny drawings into voluminous structures which exceed the cubic area of many hundred year old trees, and preferably they should complete the task in the same amount of time it takes to simply imagine doing some of the steps. This impossible task can only be dared to be dreamed of due to the cunning bed-mates technology and globalization!
However, home construction also has potential to be an artistic celebration of the unique local environment. In fact, the architecture styles associated with various cultures of the world, are a beautiful expression of the dance between place-based resources, local climate, and the human imagination. On the other hand, building a Laotian bamboo stilt house at the 45th parallel north will look stunning in a picture, but a close up would show popsicle frozen homeowners entombed in their own dream house. That example sounds ridiculous because it’s unfamiliar, but there are innumerable identical architectural discords made bearable due to enough synthetic insulation, chemical wood embalming, and gently off gassing décor.
Turtle island (North America) has a rich place based architectural history. The indigenous cultures built migratory homes they carried with them, Lakota tepees, temporary shelters along their travels, Inuit igloos, and long-lasting homes to raise a family, Anishinaabe wigwams*. European colonists also established trademark style with the aid of hand saw technology to fell larger trees interlock them to create the signature log cabins. Even more recently with the fusion of ancient architecture and Anthropocene resources the earth ships design has become a hallmark of the South West. Each of these designs works best using the materials of the biome it’s in, because that is the region these materials, organic or inert, evolved to endure. Buried homes stay cool in the dessert but mold in humidity, and the forest appreciates the harvest of rot resistant sapling in regions known for benders (a general term for anything that involves created rounded structures using interlocking wood; sweat lodges, long houses, and wigwams).
With any of these homes, the finished structure is only a small glimpse of the true beauty that went into crafting it. Traditional building techniques also use traditional tools, which traditionally are about the volume of a loud bird (not a firing gun), and even more often require multiple people. From weaving the inner bark of Hickory to make Wigwam cordage, to collaboratively wielding either end of a large bow saw many “old fashioned” tools are meditatively redundant and quiet enough to get lost in conversation with your fellow crafts person. Without the screech of electric engines and unwieldy blades their use is also not restricted to the adrenaline hungry young men who surround me at conventional construction sites. My current highlight of traditional construction was working with a pregnant woman and young mother to peel Aspen bark while the year-old baby napped in the middle of the construction site.
When building community becomes the goal, instead of making a community building, there is less of a race to the finish, and more of a dialogue with local materials and people. Do you know the 5 most common trees that grow in your biome? Do you know which characteristics of them are equivalent to their modern synthetic mimics? Instead of exchanging money for hired time, have you considered luring your friends over for a building party with food and music (you’d be surprised how people who are deprived of hand craft in their profession are exuberant to get their hands dirty building your home).
At Rustling Roots in Central Virginia, we are turning back the wheels of time to weave community by weaving together a Wigwam. Over the course of a weekend we will all learn how to turn the sweet-smelling bark of springtime Poplar into wallpaper, and the overly abundant shoots of cedar saplings into a bedroom sized inverted nest. Not only will we be working with these materials for architecture, but you will learn about how to harvest them to appease the forest, and when they are most eager to be compliant to your construction whims. With simply tools a 1st year blacksmith could forge we will weave together a structure rich in indigenous wisdom, while weaving together the lives of every hand involved. Of course, we are planning to have a beautiful organic home at the end, but that is just the flower on top of community we’ll cultivate along the way.
* “Wigwam” and “wikiup” are both popularly used to describe Woodland nuclear family homes. In general reference, these terms work (like when we use the term “moccasin” to describe a type of footwear in general). But keep in mind there are so many uncorrupted terms for “a home/dwelling” from different Native dialects that are very appropriate to use, especially when describing homes of specific Nations. You might have noticed that we favor the term “wigwam” in our writings. This is only because the term “wikiup” is often an applied term to describe Apache dwellings (in poplar writing and some academic outlets), and because they are not similar, we’d rather stick to terminology that embodies Woodland traditions without the association of a very different Native housing tradition of the Southwest. But truly the term “wikiup,” just like the term “wigwam,” are born of the Woodlands region.
Come to the Wigwam Building Workshop at Cambia Community June 28th
i name my months. It is a practice which comes from the time i spent in the Czech Republic. The Slavic countries do not use the same roots for month names which English speakers use, their month names are mostly inspired by natural events around them.
When i am feeling daring, i name months with predictions. I successful guessed the month when Mubarak quit as head of state of Egypt. And then got Qaddafi’s resignation wrong twice. Perhaps studying economics made me comfortable with getting forecasts wrong. But it is not just despots failing that i make predictions about. I also guess about nuclear reactors being shut down.
If you are following the endless cable news cycle, you know the “up” topic right now is the release of the Mueller Report, investigating the presidents involvement with the Russian government in the 2016 election. Very publicly, the new corrupt attorney general has announced that the report has no proof of collusion between the campaign and the Russians and at the same time has been unwilling to let anyone, including congress see the report.
I think the political pressure on the release of this report, which certainly shows that the president is not “fully exonerated”, is fantastically high. Every democrat in congress want this report that Barr is now busily redacting to hide all manner of things (including concerns for the reputation of the criminals written about, no i am not making this up).
So i am calling April 2019 “#ReleaseTheReport”. This is part a demand, but it is really a forecast. Some combination of subpoena and cyber hacking will get this document (likely with some redactions) into the hands of the public. I think this will happen this month.
Buckle up, there is going to be some rough sledding.
There was a time before the internet. Many of my younger friends have some difficulty believing this is true or at least understanding how it might work. There is a story i often tell about a particularly dramatic job offer i got and then arriving at work before i got my job offer by crossing the international dateline. To buy that airplane ticket, because there was no internet and because i was in a hurry, I went to the Sydney airport and walked around the ticket offices until i found the next flight out.
While it is inconceivable to consider how we would run small business these days without computers, but early in the life of Twin Oaks, the decision to computerize our businesses was internally quite contentious. These days we are regularly looking for ways to use software and hardware to reduce or simplify our human labor.
This year Twin Oaks Validation Day made the jump to automate the six creatures game. If you are unwilling to click through to these links, let me summarize these cultural constructs you are possibly unfamiliar with. One of the best parts of big complex full service communities like Twin Oaks is we get to completely redesign holidays. Valentines day is a horrifically flawed event, so we redesigned it. Specifically, we made it principally about affirmation (which can be given to everyone) and secondarily about romance. This helps make the event inter-generational and accessible to all. We create validation day cards, which are like love letters from many people sharing the same collage container.
While it hardly seems daring in the age of Tinder, the 6 creatures game is a way people who are attracted to each other to find each other without indicating their attractions. The way it used to work is the players would fill out ballots for which of 6 different types of dates you are looking for with the people on the ballots. The creatures/date types are:
1 ) Ants – work dates
2) Puppies – play dates
3) Kittens – cuddle dates
4) Fish – kiss at the party
5) Rabbits – Sex date
6) Doves – Long term relationship
After the ballots are all gathered a trusted member (named iron lips) finds all the matches and lets people know of only their matches. Iron Lips is selected because they are very good at keeping keeping secrets. This game has sparked quite a few new romantic relationships.
This year the person of Iron Lips was replaced by an app. The six creature ballots were never seen by anyone other than the people who wrote them, their shared matches were spit out and given to members who were excited to see what shared possibilities exist.